The Artist Dania: Listless – Intimate Experimental Pop Shaped by Hospital Night Shifts

Besides crafting atmospheric digital pieces, the Iraqi-born, Spain-based artist Dania furthermore serves overnight duties as an emergency physician. Those late-night shifts serve as the inspiration for her latest release Listless: all 7 songs were composed and recorded in the early hours, and the cover features the spindly blossom of the Japanese snake gourd, a species that only blooms at night. But, there is little trace of the chaos of her overnight schedule in this music: instead, the record exudes a quiet calm that is sometimes blissful, occasionally uncanny.

The Artist: Listless

Converging somewhere amid downtempo, ethereal rock and ambient, and a hint of pop, the layered songs slink along dreamily, driven by washes of synths and, for the first time, drums. An innovative feature to the artist's typical arrangement, they lend a gentle slow-paced kick to a number of the songs. Its meandering, murky beat in Personal Assistant recalls the 1990s-era bands Scala and Seefeel, whereas Car Crash Premonition is the nearest the album come to urgent. Written following an unnerving taxi journey to her studio one night, it is both brooding and dizzying, ideal for a film montage.

Additional songs, including one titled I Know That and another called Write My Name, are closer in style of Dania’s past output: minimalist and amorphous. The closing track, A Hunger, has a underwater feel, with bubbling and beeping sounds that sound like medical monitors, blended with distorted answerphone-style singing.

The artist's soft, murmuring vocal is featured across nearly the whole of the album. Its lyrics are almost imperceptible as her vocals are floating, looped, layered, at points almost absent at all. Growing up in a home where singing was discouraged, she has stated it’s something she’s always felt private about. But this is also an inspired decision, enhancing the dream-like atmosphere on this gorgeous, intimate record.

Also Out This Month

One Group draw four tracks out to nearly 40 minutes on Inland See. Across these extended pieces (including an epic 18-minute-long closer), the Chicago trio present a further exemplary work in lush, wandering minimalism, with chugging repetitions and effervescent improvisational flourishes. For the last decade, Timedance (the imprint of UK-based producer Batu) has served as a foundation for bass-heavy experimental electronic beats. TD10 celebrates that anniversary with 23 weighty, unconventional dancefloor cuts for any hour of the night, including contributions from heavyweight artists such as re:ni, Skee Mask, Pearson Sound and Batu personally. Inspired in part by personal encounters of fear of open spaces and claustrophobia, Fobia (Other People), the new work by Argentinian sound artist Aylu, is appropriately personal, at moments stiflingly thus. Close-contact captures of labored breaths, swallows and vocalizations build out into curious but often beautiful compositions.

Dr. Shawn Bell
Dr. Shawn Bell

A seasoned entrepreneur and startup coach with a passion for helping others succeed in the business world.